I then decided to apply my peaks and polaroid style to letterforms which I thought would be problematic. The F, because the weight could make it look like it will topple over. The G was difficult as I had to edit the black area of the polaroid around a bowl. With the O, I decided not to add a peak, which I also did with the Q, as I liked the similarities between them and bike wheels. I also did the glyphs, which I chose because of their loud, communicative and slanted nature. I also chose 1 and 3 as during my research I found an unwritten cycling rule where if your bike is number 13, you are to invert the numbers, which I will later do.